Reflections on Walter Benjamin and Martin Heidegger’s notions of home and living space (dwelling).
This post takes off from reflections on two notebook entries in Walter Benjamin’s long, uncompleted research into the space and culture of 19th-century Paris, The Arcades Project or Passagenwerk, notes that he dedicated to the problem of dwelling (Wohnen). I’ll come back to these soon. But first a few preliminaries to set up the broader context for where I’ll be heading, which is Benjamin’s rich meditations and criticism about “interiors,” which embraces in his writings a complex set of topics and interconnections between them, including modern cities and their reconfigurations of inside and outsides through enclosures and the use of glass in architecture, the culture of the bourgeois household of the 19th century and of Benjamin’s own childhood, and the psychological interiority so intensively elaborated by modern culture from lyric poetry, stream-of-consciousness narrative, and modern art to psychoanalysis and new-age spirituality.
Dwelling was a problem…
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